The biggest develops in VR/AR last week weren’t directly in the field, but in seemingly unrelated industries. Mostly importantly, the highly anticipated announcement of the iPhone 7 hints at a (near) future of mobile technology embracing new forms of reality. For uploadvr.com, Az Balabanian wrote, “…the micro-innovations in Apple’s optical technology, computer vision, machine learning, and wireless audio
ambitious innovation. It is able to both zoom and show shallow depth of field in ways previously limited to DSLR cameras. But what does this mean for VR (besides speculations around the disappearance of the headphone jack)? The dual lens camera allows subjects to be in focus while photo backgrounds are blurred, a style commonly used in portrait photography. This technique, called bokeh, is based on the same principles that virtual reality headsets use for rendering imagery. While Samsung’s handsets already have brighter, higher resolution OLED displays than the iPhone, this move by Apple follows comments from CEO Tim Cook earlier this year almost hinting at where the company is focusing concerning VR and AR: “In terms of VR, I don’t think it’s a niche. It’s really cool and has some interesting applications.”
Social platform Snapchat might also be shifting into the VR/AR space with n
Both of these projects are part of a larger movement towards increased accessibility to VR/AR technology. Although at the moment, it is still too expensive for most people, with a high-end virtual reality experience costing at least $1,600. But this is changing as companies like Google are working to provide more affordable alternatives for quality content. In the next few weeks, Google will release a Daydream VR platform, which includes VR videos and apps, according to Bloomberg.
In entertainment news, Henry, an animated shot about a hedgehog, became the first VR project to win an Emmy. Produced by Oculus Story Studio, part of the Oculus headset company, the movie won Outstanding Original Interactive Program. Director Ramiro Lopez Dau told Mashable the film was an experiment in making an audience care for Henry, whose spines make it impossible for him to give hugs.
“VR storytelling is so early in its life, so we really wanted to answer the basic questions for storytelling: can you feel empathy for the character?” Dau said. “Before even knowing if we could tell a story, we wanted to test the empathy and connection.”
For fun: Think becoming an astronaut is easy? This 360 video from NASA shows some of the underwater training required to prepare for a spacewalk.
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